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Simple is a word with many a potential pejorative association. That makes it a very inclusive kind of music. It’s not difficult for beginners with at least basic skill on their instrument to be able to play it and join in. :Dĭiddley music, overwhelmingly, has regular-length phrases, much repetition within tunes, is mostly diatonic, is in a restricted set of keys/modes, and generally sits easily on the instruments that play it. Here…for those of you possibly da da dum clueless, or just HAVE to get a Ludwig fix. So where there are many very simple "melodic themes" in classical pieces - it’s the rest of it that makes it what it is, and therefore vastly more complex.
#CELTIC MUSIC ON LINE FULL#
(tempo, and fermata up for interpretation.) ?īy the 10th measure it’s already for the full orchestra, and so on. Indeed there are the stunning Bach solo violin or cello preludes (way more complex that ITM) but even the simpler "themes" that make up symphonies are composed for a full 100 piece orchestra with 15 or more separate lines of music combined at various places.Īn example is this theme below which everyone here would probably recognize, even with my loose rendition and no sound. Most of classical music is composed for layers and layers of instrumentation. You meant variety of instruments btw, vs body count? ? Even if the "wider range of performers" was a body count, most ITM sessions don’t need or have 20 fiddlers or up to 6 flute players! heh. Although bigsciota, I’m thinking that a symphony orchestra or symphony piece usually employs a good deal more variety in instrumentation than ITM. I think this was a thoughtful question, and bisciota and Ailin had really good points.